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Acasa, My Home presents a powerful documentary portrait of one family's odyssey that illustrates bittersweet truths about freedom and society. That’s all fairly abstract, but “Acasa” is full of ideas because it contains so much life. It’s both intimate and analytical, a sensitive portrait of real people undergoing enormous change and a meditation on what that change might mean. It taps into something primal in the human condition, a basic conflict between the desire for freedom and the tendency toward organization — an argument, finally, about the meaning of home. His journalistic work was acknowledged by Royal Television Society UK , Amnesty International UK , Harold Wincott Awards for Business, Economic and Financial Journalism , and by other international and national prestigious institutions. Our great team is available over email or live chat to help with setting up and sorting out your bills and payments.
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Filmed over four years, “Acasa” tells the complicated, bittersweet story of Gica’s defeat. When the Romanian government designates the area as a protected nature park — reportedly the largest in a major European city — the Enaches are forced out. They dismantle their house, a sprawling structure made of blankets and plastic sheeting draped over a makeshift wooden frame, and move into an apartment. The children, provided with haircuts, shoes and new clothes, attend school regularly for the first time. The oldest son, Vali, finds a girlfriend and asserts a measure of independence from his father. In 2012, Radu co-founded the first independent media organisation in Romania—Casa Jurnalistului—a community of reporters specialized in in-depth, long-form and multimedia reporting.
The drone camera then poignantly peels away from this joyous tableau to slowly reveal Bucharest from atop, juxtaposing the bustling capital against the habitat of the youngsters. They are all a part of the Romanian Enache family, an off-the-grid clan that has been residing on a deserted reservoir by the outskirts of Bucharest for nearly two decades. It’s a patriarchal band by all accounts where Gica authoritatively calls the shots.
Review: Acasă - My Home
He’s a moody patriarch, part anarchist and part autocrat, shielding his family from the power of the state with his own sometimes tyrannical authority. When he’s confronted by social workers, the police and other officials, he’s not always diplomatic. “These are my children, and I can kill them if I want” might not be the best thing to say to child welfare officers. Guess who embraces and adopts the charms of the modern world the fastest? Illiterate and isolated until then, the Enache kids prove to be quick studies. And with his unprecedented, trust-based access to the family for nearly four years, Ciorniciuc captures their transition with such devoted precision.
In a way, “Acasa, My Home” is a real-world “Leave No Trace,” Debra Granik’s recent American drama about an off-the-grid father and daughter rejecting the conformities of a traditional society. Like in that film, Ciorniciuc opens a non-didactic and non-judgmental window for audiences into an alternative world where parents both nurture their babies within the rules of nature and also deprive them of their vital rights, like safety and education. The kids all seem well-adjusted to the ins and outs of their pastoral way of life however—when the concerned authorities and child services make an appearance, there is routine talk amongst them about hiding in their usual spots. The children run through the reeds, catch fish with their bare hands, wrestle with swans and perform household chores. The scene isn’t entirely pastoral, though, and Gica isn’t exactly Henry David Thoreau.
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Still, all of its members serve a clear purpose in their shared unconventional life. Living in extreme poverty in a self-made shack alongside all sorts of animals—pigs, chickens and dogs among them—every action is a matter of survival for the Enache family in the absence of access to the basics of urban conveniences. In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years – until they are chased out and forced to adapt to life in the big city. In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years until they are chased out and forced to adapt to life in the big city.
There are no featured audience reviews for Acasa, My Home at this time. The biodiversity in Vacaresti Natural Park is very similar to the one in Delta Dunarii, this in it self beeing an impresive thing. Yet, 5 minutes into the movie they show us a family of gypsies torturing a teenaged swan, basically showing how humans distroy nature. It’s dialectical — constructing its narrative as an argument between two opposed positions, neither of which is fully embraced.
Tomris LafflyTomris Laffly is a freelance film writer and critic based in New York. A member of the New York Film Critics Circle , she regularly contributes toRogerEbert.com, Variety and Time Out New York, with bylines in Filmmaker Magazine, Film Journal International, Vulture, The Playlist and The Wrap, among other outlets. A rural Romanian couple and their nine children must learn to live in the big city.
There is a nobility to Niculina and Gica as they try to resist the power of a state convinced of its own benevolence. It’s not as simple as taking the side of individualism against government, or for that matter of being in favor of parks, schools and a decent social order. A family’s dispossession to make way for a nature park is the subject of this Romanian documentary.
While those of us equipped with everyday necessities might be inclined to judge the family’s treatment of the wildlife around them, the clan’s actions and existence make sense within the bounds of the reality Ciorniciuc rigorously portrays with his elegant, eye-level camera. And for a brief while, the Enache patriarch receives an artificial sort of respect from them as the land’s former groundskeeper. Somewhere amid the press circus, even Prince Charles makes a short appearance to promote the project that apparently carries some international significance. But the tables turn when social services relocate the family into a crammed home where they’d have to adjust to the rules of a regular community; something Gica had decided to avoid like the plague a long time ago.
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If it weren’t for the high-rise buildings within eyeshot, you could swear that the opening sequence of the acutely compassionate and probing “Acasa, My Home” was filmed in deep wilderness. During that initial scene, our gaze floats over the sun-dappled surface of a muddy marsh, following a teenaged boy as he swims in murky waters that somehow seem idyllic and catches fish with his bare hands, away from the metropolitan area he seems to be right outside of. Soon enough, he is joined by a number of young boys, whose cheery sounds we hear in a cacophony before their faces appear on camera and watch the older brother dexterously catch a wild water bird. When the poor terrified winged creature manages to escape and run for dear life, the boys go straight back to their carefree afternoon, rolling around in mud, giggling away and wresting amid tall reeds. It had its world premiere at the 2020 Sundance Film Festival on January 27, 2020. Zeitgeist Films, Kino Lorber took the North American international distribution rights.
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